MUNTREF - Museo de la Inmigración es un proyecto comercial de ITALIGHTING en Buenos Aires (2024), de 0 m². Estilo moderno. 23 fotos de otro, local comercial, 

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MUNTREF - Museo de la Inmigración

Buenos Aires, Cdad. Autónoma de Buenos Aires, Argentina

El Museo de la Inmigración es un museo situado en las instalaciones del ex-Hotel de Inmigrantes, en la Ciudad Autónoma de Buenos Aires

MUNTREF - Museo de la Inmigración por ITALIGHTING en Buenos Aires, Cdad. Autónoma de Buenos Aires, Argentina (2024). 23 fotos del proyecto. Inspiración de arqui

MUNTREF - Museo de la Inmigración — ITALIGHTING — Buenos Aires, Cdad. 

This is a wide-angle photograph of an art gallery interior. The space features polished concrete floors and white walls. On the left wall, a large, extensive collage of black and white photographs is displayed. In the center of the room, several vintage CRT televisions are placed on wooden cube pedestals. Behind the televisions, a large, vibrant backdrop depicts a blue sky with white clouds and a green grassy hill. Recessed and indirect lighting illuminates the space. To the right, another piece of artwork, a framed photographic print, is mounted on the wall.

This image shows a spacious gallery or exhibition space with polished concrete floors and white walls. The primary feature is a massive installation on the right wall, composed of numerous jigsaw puzzle pieces forming a large, abstract image. Opposite this, a large screen displays a dynamic world map. To the left, a low green mattress rests on the floor, partially covered by a dark fabric, positioned near a blue sky mural. Recessed and indirect lighting illuminate the space, creating a neutral ambiance. The overall configuration suggests a contemporary art exhibition.

This is a wide shot of a modern art gallery interior. The walls are painted white, and the floor is a light wood material. Several artworks are displayed, including a large square piece with circular patterns in blue and white, and several framed rectangular pieces with lighter colors. A white display cabinet showcases an artwork inside. A linear artwork is mounted on a far wall. A prominent arrangement of clear glass bottle-like objects is showcased on the floor in the foreground. Recessed and indirect lighting illuminates the space.

This is a wide-angle photograph of an art gallery interior. The primary dominant feature is a large, circular, framed artwork with intricate blue and white patterns on the left wall. Several smaller, rectangular framed artworks are displayed on the right wall. The floor is made of polished concrete, and the walls are painted white. The ceiling is also white and features recessed lighting. A low, white display pedestal is positioned in the middle ground of the room. A linear arrangement of small objects is visible on the far wall. The lighting is artificial and appears neutral, with recessed lights and indirect illumination contributing to the ambiance. The space is clean and minimalist, suggesting a commercial or exhibition setting.

This is a wide shot of a minimalist interior space with white painted walls and a white painted ceiling. The floor is finished in a gray microcement. A large window with a grid pattern is visible on the left wall. An artificial lighting system with a track is mounted on the ceiling, providing recessed and indirect lighting. The space appears to be an empty commercial or gallery setting.

A wide-angle photograph captures an empty, minimalist interior room with stark white walls and a high ceiling. Dominating one wall is a tall, mullioned window with a white frame, allowing abundant natural light to enter. The floor is covered in light gray stone tiles, with a medium share of visual space. The ceiling is white and appears to be a standard height. Indirect lighting is visible, contributing to the neutral artificial light. The overall impression is one of clean lines and unfurnished space.

A wide-angle interior shot of a gallery space with high ceilings and white walls. The floor is made of natural wood. A prominent feature is an art installation of multiple circular clocks arranged horizontally on a wall, illuminated by a spotlight. To the right, a white t-shirt with a colorful floral print is displayed hanging on a hook. A long, low white table with books and papers is positioned in the foreground. The space is lit by a combination of indirect and recessed artificial lighting, creating a clean and modern ambiance.

A wide-angle shot of an indoor installation space, likely a retail or exhibition environment. The floor is a dominant beige wood surface. The walls and ceiling are finished in white. Arranged in rows across the floor are numerous clear glass bottles with metallic bases, forming the primary visual element of the installation. Track lighting runs along the ceiling, providing neutral artificial illumination. Several framed drawings are displayed on the far wall. The overall aesthetic is minimalist and modern.

A wide-angle outdoor shot captures the facade of a classic building with brutalist influences. The textured gray concrete facade features ornate arched windows with blue frames, contrasting with a large white banner displaying blue text. Bare tree branches are visible against the sky in the upper left corner. The lighting is natural and abundant, with no visible artificial sources. The overall scene suggests a commercial or institutional use.

The facade of a multi-story commercial building features a large white banner with blue text. The building has a classic architectural style with arched windows on the upper floors and rectangular windows on the lower floors. The facade material is primarily beige concrete, with some black metal detailing. In front of the building, there are two concrete benches and a paved walkway. A metal grate covers one of the lower windows. The sky is blue with scattered clouds. Bare tree branches are visible on the right side of the image. A glass-covered modern structure is visible behind the main building.

A wide shot captures the facade of a classic building with ornate details, likely a museum or cultural center, under a bright, clear blue sky. The building is constructed primarily from beige concrete, featuring numerous arched windows and decorative moldings along its edges and around the openings. A large vertical banner with text is prominently displayed on the right side of the facade, indicating a special exhibition or event. Some sparse vegetation is visible in the background, suggesting an urban setting. The scale appears to be medium to large, with multiple storeys visible.

This is a wide shot of a minimalist art gallery interior. The space features polished natural wood floors and white painted walls. A central area has a white reception desk and shelving unit. Several framed artworks are displayed on the walls, including abstract pieces and a large piece on the back wall. A unique wall-mounted display of clothing is visible on the left. The ceiling is equipped with prominent track lighting providing neutral artificial illumination. The space is clean and empty, suggesting a finished but un-staged exhibition.

A close-up detail shot focuses on a stack of thick books with bright blue covers. The pages of the books are fanned out, creating a curved, organic form with visible texture and age lines on the paper edges. The dominant color is a vibrant blue, contrasted with the natural, light beige tone of the paper. A subtle shadow casts across the composition, suggesting overhead lighting. The arrangement is abstract, emphasizing the form and texture of the open books. The background is blurred and out of focus, directing all attention to the books themselves.

The scene is an indoor retail space with a minimalist aesthetic. The primary surfaces are walls made of clear glass, allowing views into adjacent spaces. The floor is covered in natural wood planks, and a low wooden countertop is visible. Several clear glass bottles with labels are displayed prominently on shelving units and a wooden stand. The lighting is indirect and neutral, creating a clean and modern ambiance. The overall stage is finished and styled.

A collection of clear glass bottles with labels is arranged on a beige floor in an indoor setting. The bottles are of various sizes and shapes, with some taller than others. They are illuminated by warm, indirect lighting, creating a subtle glow. The background is blurred, suggesting a spacious, minimalist environment. The overall impression is one of an art installation or a retail display focusing on the aesthetic qualities of the bottles.

A framed artwork is displayed on a white wall. The artwork features a print of a bird within a textured circular border, enclosed by a light wood frame. The wall is painted white, and the floor appears to be natural wood. Artificial lighting casts a warm glow on the scene. The overall presentation is minimalist and clean.

The image shows a ceiling with a black track lighting system. Several white track light fixtures are attached to the system. One fixture is in focus, showing its cylindrical shape and a bright light emanating from it. Another fixture is partially visible on the left side of the frame. A white wall is visible below the ceiling, with a subtle reflection of light. There is a framed object on the wall, possibly a piece of art or a notice board. The overall impression is of a clean, modern interior space with a focus on lighting.

A modern industrial interior features a white concrete wall and gray concrete floor. A horizontal metal bar is suspended from the ceiling, from which eight round analog clocks with white faces hang at equal intervals. Below, a long white table displays a staggered arrangement of blue-bound books, creating a dynamic visual element. Indirect lighting illuminates the scene, casting soft shadows.

This is a wide-angle indoor photograph of a minimalist art gallery space. The walls and ceiling are painted white, and the floor is a light beige color. Track lighting with recessed and indirect fixtures illuminates the space. In the foreground, a glass display case with three books is placed on a white pedestal. To the left, a large circular artwork with blue tones and a mosaic-like texture is mounted on the wall. In the background, a low white bench-like structure is visible, and a series of circular objects are displayed on the wall. The overall atmosphere is clean and uncluttered.

The image shows a minimalist exhibition space with white plaster walls and a wooden floor. Two large white panels are mounted on the wall, one on the left and one on the right. A black screen is mounted on the right wall. In the center of the space, a white pedestal-like display case with a glass top is illuminated by spotlights from above. Two light brown objects are placed inside the display case. A black cable runs from the display case to the floor. The overall lighting is neutral, with a mix of recessed and spotlight sources.

A minimalist interior features a white rectangular display cabinet with a glass top, illuminated by a strong spotlight from above. The cabinet sits on a light wood floor. Inside the cabinet, there are two wooden-framed display items. A black electrical cord is visible trailing from under the cabinet. The walls are white and dimly lit, creating shadows. The overall atmosphere is clean and focused on the displayed items.

A wide shot captures an indoor space with a stark, industrial aesthetic. The dominant feature is a horizontal metal bar suspended from the ceiling, from which hang eight circular analog clocks with dark faces and metal frames. Above the bar, metal conduits connect to wall-mounted electrical boxes. The wall behind is a smooth, gray concrete surface, illuminated by a strong, focused spotlight that creates a dramatic halo effect. The overall impression is one of timekeeping as a central, artistic element within a minimalist architectural setting.

A detailed, close-up photograph showcases the edges of several aged books stacked on a surface. The books have worn, textured pages with visible layers of paper, colored in shades of beige and gray. They are bound with bright blue covers, creating a strong color contrast. The lighting appears to be a warm, indirect artificial light, highlighting the fine details and textures of the book edges. The background is softly blurred, suggesting a shallow depth of field and focusing attention on the subject matter.

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MUNTREF - Museo de la Inmigración

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